Mock up #4

Freestanding lightbox paintings 2 & 3. Speculative installation view, collaboration with Hye Rim Lee. Electrical, UV print on BackLit*, synthetic polymer paint on canvas. Dimensions variable, 2019 – (?)

‘Ghost Baby’ 2019

220 x 200 CM, Fencing, pine, miscellaneous tie downs, vinyl, acrylic and carbonated offerings. TARS Gallery, Bangkok

‘Destruction’ 2019

H 70 x W 99.5 CM. Oil, synthetic polymer paint, ink and pastel on canvas. TARS Gallery, Bangkok

‘Space Race II’ 2019

Benjamin Aitken + Sam Leach. H 99.5 x W 70 CM. Oil, synthetic polymer paint, ink and pastel on linen. Sam comes courtesy Sullivan + Strumpf Fine Art, Singapore. TARS Gallery, Bangkok

‘Childhood’ 2019

H 130 x W 120 CM. Chalk on acrylic paint. TARS Gallery, Bangkok

‘Self Portrait 67’ 2019

H 149.5 x W 80 CM. Synthetic polymer paint on canvas, UV print. TARS Gallery, Bangkok

‘Space Race’ 2019. Benjamin Aitken + Sam Leach

H 170 x W 186.5 CM. Stretched bed sheet, UV print, Oil, synthetic polymer paint, ink and pastel on linen. Sam comes courtesy Sullivan + Strumpf Fine Art, Singapore. TARS Gallery, Bangkok

Extra Sarcasm, 2019

Dimensions variable, point of sale installation. Steel, concrete, fabric, ply.

The brothel of Avignon (Under construction), 2019

220 X 200 CM. UV print, synthetic polymer paint, steel, acrylic, oil and fabric.

F.A.N.T.A. 2019

Installation view, dimensions variable. Pine, foam, carbonated liquid, twine, steel, vinyl and ply (but not limited to).

Childhood Memory 1, 2019

Synthetic polymer paint and fabric on canvas. 154 x 254 cm

Childhood Memory 2, 2019

Synthetic polymer paint and fabric on canvas. 154 x 254 cm

childhood memory 3 and 1, 2019

Synthetic polymer paint and fabric on canvas. 154 x 254 cm. Installation view

childhood memory 3, 1 and 4, 2019

Synthetic polymer paint and fabric on canvas. 154 x 254 cm. Installation view

Union, 2018

Steel, clamps, tie downs, oil and vinyl on board. 200 x 200 cm

No rest for the wicked, 2018

Granite. Sizes variable. Collection of Sue Cato

It’s not a bald spot! 2018

Fabric, oil, food remnants on pine. 100 x 70 cm. Collection of Jan Van Schaik

Dad’s uniform, 2017

Hand sewn fabric. 150 x 130 cm. Collection of Jelena Telecki

Circling, a collaborative project between Benjamin Aitken and Jon Cattapan

Curated by Dr. Kent Wilson. Installation view, LaTrobe Arts Institute

Circling, a collaborative project between Benjamin Aitken and Jon Cattapan

Curated by Dr. Kent Wilson. Installation view, LaTrobe Arts Institute

Circling, a collaborative project between Benjamin Aitken and Jon Cattapan

Curated by Dr. Kent Wilson. Installation view, LaTrobe Arts Institute

Circling, a collaborative project between Benjamin Aitken and Jon Cattapan

Curated by Dr. Kent Wilson. Installation view, LaTrobe Arts Institute

Not my friend, 2016

Synthetic polymer paint on canvas. 150 x 130 cm

Taxi, 2016

Synthetic polymer paint on canvas. 200 x 250 cm. Private collection, Sydney

Alternative literature is also like alternative literature, 2016

Bayside Arts & Cultural Centre. Installation view

Alternative literature is also like alternative literature, 2016

Bayside Arts & Cultural Centre. Installation view

Anna Pappas cancelled Christmas (MAF), 2016

Ink and pencil on paper. 76 x 56 cm

Various works, 2018

Installation view

Dude, when’s my show? 2016

Pencil on paper. 76 x 56 cm

Various works, 2018

Installation view

Ripping you off, 2016

Pencil on paper. 76 x 56 cm

Various works, 2018

Installation view

You wouldn’t steal a DVD, 2016

Ink on paper. 76 x 56 cm, collection of Paul Candy, RMIT

Various works, 2018

Installation view

Never-mind, 2016

Pencil on paper. 76 x 56 cm, collection of Dr. Kent Wilson

Want longer lasting text? 2016

Vinyl on structural pine. 12000 x 500 cm. Installation view

How to make a John Balderssari (Study) 2016

Ink on paper. Private collection

Jim is busy, 2016

Pencil on paper. 76 x 56 cm, collection of Peter Atkins